Category Archives: media

Widespread Panic to Release “Poster Children”, Book of Official Poster Art

Widespread Panic has spent 25 years earning a reputation for amazing live shows. The band’s commitment to the live experience is not limited to the stage, but to visual artists across the country. Much like Phish, the band has been dedicated to commissioning artists to create limited edition posters for their shows and they have archived all of these posters in their vault.

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cover art by Jeff Wood

Every Widespread Panic fan would love the chance to dig through the bands poster archive, and with Poster Children, they get the chance. Over 400 posters spanning their entire career are included in this 320 page hardcover book, including notes from Dave Schools and John Bell and from the poster artists, including EMEK, Marq Spusta, Chuck Sperry and Jeff Wood.

Bassist Dave Schools on Poster Children: “These posters were another way for our fans to relive the show and commemorate a good time. In a way, they were like the gatefold record cover of the by-gone vinyl era – a visual interpretation for fans to look at while listening to our music.”

Poster Children is slated for a Black Friday release on November 29th. Pre-order requests will be filled first-come, first-served, while supplies last. This is a limited edition book and only one run of books will be printed.  Order the book here

LIMITED EDITION, ONLY ONE RUN WILL BE MADE TO ORDER. Widespread Panic has spent 25 years earning a reputation for amazing live shows. The band’s commitment to the live experience is not limited to the stage, but to visual artists across the country. For years, the band has been dedicated to commissioning artists to create limited edition posters for their shows and they have archived all of these posters in their vault. Every Widespread Panic fan would love the chance to dig through the bands poster archive, and with this book, they get the chance. Over 400 posters spanning their entire career are included in this 300 page hardcover book, including notes from the band and the artists. Every poster has been photographed in full color and is presented chronologically in this must have for any Panic fan.

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Post-show in Glens Falls Features Twiddle and Mister F at Hot Shots Sports Bar

42º and Manifest Glassworks will be hosting two events on October 23rd on the day of Phish’s return to Glens Falls.

During the daytime, from 12-6pm there will be a glass blowers collaboration, special deals, a live broadcast with Jeff from WEQX’s “Jam-N-Toast” and refreshments at 42º .

At 9pm, Twiddle and Mister F will perform a late-night set starting at right after the Phish show. Tickets are available at the door and cost only $5!. Hot Shots is located at 45 South St., Glens Falls NY, two blocks north of 42º. 21 and up.

42° is a “high end” head shop specializing in independently blown glass pipes from regional and national artists, 42° is located at 23 Park St, on the corner of Park and Elm in Glens Falls, NY. Approximately 15 minutes north of Saratoga Springs via I-87 off of Exit 18.

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Come to “A PhanArt Poster and Pin Exhibition: Atlantic City” on November 2nd at Caesars!

The final announcement of artists for “A PhanArt Poster and Pin Exhibition: Atlantic City” has been released, featuring Phish artists from around the country. The event will be held on Saturday, November 2nd from 12pm-5pm at Caesar’s Atlantic City. This unique art show, developed and produced by Pete Mason, will be held on the final day of Phish’s Fall Tour, ending that night at Boardwalk Hall.

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The art show will be held Saturday, November 2nd, from 12pm-5pm at Caesar’s Atlantic City in the Tiberius/Spartacus/Romulus rooms, featuring the best Phish inspired art, including limited edition art made specifically for the show. You can access the art show location by going to the third floor of the Centurion Tower.

Admission to this event is FREE. The initial artists announced for “A PhanArt Poster and Pin Exhibition: Atlantic City” represents a wide array of artists from among the Phish art community. Longtime Phish artists Ryan Kerrigan, Isadora Bullock, Michael Boyer, Jiggs,  Bruce HoranJeff Nesbit, and Pompeii Prints are all familiar names with fans from past poster art shows. Each will have a large portfolio of current and past concert poster art to exhibit from a wide range of musical acts. Erin Cadigan, an artist from Woodstock, NY, will be featuring her art, posters and clothing line THREE. Joining the show for the first time is Setlist Tees, a line of shirts created by Ryan Stanley that feature fan-requested setlists with unique designs for each show. Art from Like Minded Productions, live music photography from Mike Geller and Art by Ian Millard will be available at the show as well.

Pin makers and artists Matthew Jurcic of 10 Minute Tube Designs, Adam Davidoff of Phishcoins, Jack Firestone of Party Time Pins, Noah Phence, Adrian Sharpe of stuPINdous Creations, Ant Pharms Tour Pins and Designs, Cactus Bomb Designs, Pin me Down, PhanBadge, MYFE. Designs, Gowy Gear, Terra-PinsBrian Zuckerberg and Stuphph & Things will all feature their ever-popular pin series and designs, as well as other items made specifically for the Atlantic City shows. Throughout the event, Show of Life will be streaming live the first ever Phantiques Road Show! Fans are encouraged to bring their collectible art to be reviewed by a panel of expert curators who will be on site for appraisal. Fans are encouraged to participate in a silent auction in person at the show or live from couch tour, making for an interactive feature to “A PhanArt Poster and Pin Exhibition: Atlantic City.”

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Non-profits include The Mockingbird Foundation, which has given grants for music education totaling more than $700,000 over the past 15 years, and PhanArt, a book and website created as a way to showcase the art made by Phish fans, raising money for The Mockingbird Foundation through donations from artists and fans, totaling over $11,000 since 2009. Phish Art shows have been held since 2003 with great success. Unique posters, pins, shirts, stickers and much more are made for Phish shows, making “A PhanArt Poster and Pin Exhibition: Atlantic City” a must-attend event during Phish tour. Produced by Pete Mason, founder of PhanArt and author of PhanArt: The Art of the Fans of Phish, the art exhibition represents a continued effort to promote and exhibit original and unique concert art from a wide variety of artists. The eclectic artists featured at this event show the broad scope of Phish related art and capture the inspiration of the band in their art. Phish’s creative fan base makes amazing art inspired by the band, their music and the locales they play.

In keeping with the great tradition and success of past poster shows, “A PhanArt Poster and Pin Exhibition: Atlantic City” will offer free entry to all patrons and tubes available for purchase. Charitable donations from the event will be made to The Mockingbird Foundation, as well as a wide array of artists featuring posters to fit any budget. More artists will be announced in mid-October, as well as special edition works only available at the show, which will be available for viewing shortly thereafter at www.phanart.net. “A PhanArt Poster and Pin Exhibition: Atlantic City” is sponsored by This Week on Lot, Grateful Music, Philly Philms, Show of Life and The Helping Friendly Podcast. This Week on Lot is a semi-weekly audio podcast about the live music scene that provides reviews of venues, festivals, and on rare occasions, the music. ‘TWoL’ also discusses rumors from the lot, tips and tricks for being on tour, and anything else they find amusing. Follow on Twitter @ThisWeekonLot.

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Grateful Music Publications has covered live music news as it happens for the past seven years. On site, on tour, and in the flesh, Grateful Music shares the pleasures of good family, great music and positive energy, all the while staying on top of the stories as they unfold.

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Philly Philms, creators of the upcoming feature length documentary We’ve Got It Simple, celebrates the world of Phish fans by weaving the film from footage and photos that fans have submitted, as well as touring and shooting with the band during the summer and upcoming fall tour. The culmination of this will be a film that not only shows the cultured world Phish has created for their fans but also will serve as a 30th anniversary gift from the fans to the band.

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The Helping Friendly Podcast is a weekly Phish podcast created by two longtime fans who wanted to share one Phish show per week, with discussion and analysis. The approach is simple: showcase great Phish shows and talk about what makes them great. Bringing in guests from across the Phish community, HF Podcast tries to bring on diverse perspectives to discuss show reviews, upcoming events, and other topics of interest to all of us.

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With a focus on capturing the spontaneous moments before and after the concerts and streaming them live to those at home on “couch tour”, Show of Life focuses on live music reality news with candid interviews and special events. Join host Jason Wigmann and director Taper420, along with a revolving cast of characters and experience the next best thing to being there.”

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Phix Reunion shows and Flood Relief Benefits in Denver and Boulder

Phish cover band Phix hasn’t played together in about four years, but with all that has happened in Colorado in the past few weeks, now is a good a time to check in on the band members and see what Phix has in store with their upcoming reunion shows in October.

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In case you’re wondering what Phix has been up to, here’s a quick rundown:  Paul Murin (guitar), Brian Adams (bass), and Chris Sheldon (drums) still play together regularly around Colorado in the DeadPhish Orchestra, in addition to doing all kinds of other various gigs around Colorado.  Brian and Chris spent much of the last few years on tour with Vince Herman and Great American Taxi, and still occasionally serve as the backup band for singer/songwriter Todd Snider.  Derek (keyboards) lives in the Chicago area with his family, and is running a successful music school called the Clarendon Hills Music Academy.  Paul runs an instructional website for guitarists, HighCountryGuitar.com.

The recent floods in Colorado have affected all who live in Colorado, though all are thankful to still have a dry roof over their heads, and that their homes were not damaged or destroyed.  Paul and Chris live very close to the mountain town of Jamestown, and many of our friends and neighbors were far less fortunate than they.  This weekend and next, they will be taking part in several different benefit shows.

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Saturday, Sept. 28:  Wake of the Flood Benefit 

The Fox Theater, Boulder, CO, Featuring Hot Soup and Dead-Phish Orchestra hosting an all-star Colorado jam

Sunday, Oct. 6: Flood relief benefit

The Oriental Theater, Denver, CO, Featuring members of Dead-Phish Orchestra and Shakedown Street

Keep an eye out for more benefit shows this fall…there are a lot of folks in Colorado who are reeling from the flooding, and who have been left homeless.  Please be as generous as possible!

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Long story short, Phix has a weekend of reunion shows in Colorado planned for early October.  The band is freshly inspired by this past summer’s Phish tour and is looking forward to reconnecting with one another and the many friends they have made over the years around Colorado.

Thursday, 10/3 @ Three20South, Breckenridge, CO

Friday, 10/4 @ Hodi’s Half Note, Fort Collins, CO

Saturday, 10/5 @ Cervantes Other Side, Denver, CO

Follow the Phix Facebook to receive updates on future Phix shows

‘Rock and Roll Poster Bowl’ Sunday, September 29th at Brooklyn Bowl

 

Rock and Roll Poster Bowl, an exhibition of Rock n Roll Concert posters will be help at Brooklyn Bowl in Brooklyn, NY on Sept 29th, 2013 from 12pm-5pm. Presented by DJ Uncle Mike, Concertposterauction.com and MoonSetGallery.com, this is a first of its kind Rock Poster exhibition, free to attend and showcases the venue’s 16-Lane bowling alley for your enjoyment. The venue also has an award winning restaurant (Blue Ribbon) and full service bars featuring local craft brews. You can’t ask for a better location for an event like this!

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The event will feature posters for sale and show by some of today’s top gig poster artists, galleries and vendors in the industry. Artists include David Welker, Bonnie MacLean, Gary Grimshaw, Little Tuffy, AJ Masthay, Bruce Horan, Mike Dubois and Cecily Perez. Also in attendance will be Depthography – The Lenticular Art of Robert Munn as well as Relix Magazine and Gowanus Print Lab. Dealers and Galleries exhibiting at the event include Concertposterauction.com, MoonSetGallery.com, Philip Williams posters, Bottleneck Gallery and Jim Gibson/Noiseville

Follow the event on Twitter and Instagram, and stay tuned to the event page on Facebook for more details and artist announcements.

 

An Interview with Michael Hamad, Creator of Setlist Schematics

During Phish’s Summer Tour, more than the music was creating a buzz among fans on Social Media. Michael Hamad’s ‘Phish Maps’, now called ‘Setlist Schematics’, represent a crossover between the music of Phish and the art of Phish fans in a unique way that has not been seen before. Using musical notation, shorthand, paper, pen and Phish, Michael has crafted some of Phish’s biggest jams, as well as some lesser known ones, into pieces of art that bring music theory to the eyes of Phish fans, digging deeper into a jam to discover what is going on in the music from an orchestration point of view.

Michael and I chatted on the phone this past Friday about his background, how these maps/schematics started, and the artistic nature of the drawings that have given him a wide audience, as well as requests for custom-made representations of certain jams throughout Phish’s history. You can follow Michael on Twitter and his work as it is updated on Tumblr. Drop him an email at SetlistSchematics (at) gmail (dot) com if you are interested in getting one of these one-of-a-kind creations custom-made.

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Big Cypress Sand > Quadrophonic Topplings

Pete Mason: What got you into doing these Phish song maps?

Michael Hamad: I was listening to the streams all summer whenever I could get a good stream, and I’m in the habit of taking notes for myself as I listen to music. During the Tahoe Tweezer, the one that blew everybody’s mind, I wrote down what I heard, because I got a sense that something interesting was going to happen. At the end I didn’t even realize that a half hour had gone by. I took an iPhone picture of what I drew and I tweeted it, and people started sharing it all over. I called it a “road map,” because I felt like it could help people navigate through the madness.

The response was just silly, and it occurred to me that people might be interested in visual interpretations of what I heard. I did more and more as the summer went on. With each one, I refined my approach, so I think they got better and better. I discovered different types of shorthand and notation that captured more of what I heard. I kept sharing them online, and eventually, it turned into what it is now, which I’m not sure what it is.

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PNC 2013 Crosseyed>Hood

PM: These maps seem pretty intricate for casual fan to complete. What is your musical background?

MH:  I have a Ph.D in musicology and a master’s degree in music theory. I wrote an analytical dissertation on the songs of Franz Liszt. It took me six years. I was on a path to be a music professor, but I kind of veered away from the academic world. Life does that to you. I’m now a music journalist and editor in Connecticut, and I also play in bands and stuff.

What’s funny about this whole situation is that, long before I started studying music in any formal sense, Phish was the music that turned me on to more complex musical forms and improvisation. It led me to jazz and classical music. To come back to Phish after all these years with an advanced set of analytic tools is sort of a trip.

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Alpharetta 2013 Chalkdust Torture

PM: What’s your method for doing these maps? Describe the setting when you get into starting one.

MH:  I try to get everything in place — pens, paper, lighting, white-out, etc. — before I start, so that I don’t have to step away for any reason. Then I try to empty my mind and forget everything else. If I can prepare in that way, then the maps turn out better. It’s pretty much a one-time shot through the piece. I rarely listen to a jam or show twice. Each map represents me listening to a piece of music once and writing down what I’m hearing.

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Hollywood 2013 Harry Hood

PM: How has the response been to your Phish Maps/Setlist Schematics?

MH: I can’t really believe the response. It’s been great. I’m happy with the idea that music theory and analysis would appeal to people on some level, even to people who don’t understand it. But I’m not surprised either, because this audience is among the most analytical audience for music out there. A lot of people in the Phish community listen on a deep level, so to introduce concepts of music theory into that discourse is gratifying. But I recognize that this isn’t for everybody. Some people react negatively, and that’s cool with me. This is just the way I process music. I’m not trying to suggest that this is the only valid interpretation, or means by which to interpret, Phish’s music. I could probably do a better job of explaining the symbols, for sure, so I’m happy to answer questions if people want to e-mail me out of the blue.

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Albany 1999 Ghost > My Left Toe

PM: In terms of art, how do feel that what you take from each song and put to paper becomes art?

MH: For me, the maps are functional. When I was in grad school, I used to make charts like this for myself, to help keep track of what I was hearing, to compare pieces to one another, and so on. It’s a form of shorthand. I can look at a map and trigger a memory of what I heard based on what I wrote down at the time, and I have complete faith in my hearing, that my initial impressions hold up over time. I’ve worked really hard to develop my listening skills, ever since I was a teenager, and that gives me confidence to believe what I wrote down.

That said, there are people who are attracted to the purely visual nature of the maps, and that’s cool. I can’t really define what qualifies as “art” and what does not, but people seem to dig how they look. What would really make me happy is to find out that people have tried listening along with the maps. That would be really great. But I’m also pleased with the way they look on the page. It’s hard work, and when a map is done, sometimes I’ll unfocus my eyes and stare at one for awhile, without thinking about what it represents. I’ve always been attracted to this sort of chaotic arrangement of information that still makes sense somehow.

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Dicks 9/1/13, Full Show as it Happened

PM: So you are selling these Maps/Schematics? How has that process worked so far?

MH: People have been writing in and requesting certain songs and shows. There’s a huge gap in my Phish listening, so when I hear something, it’s educational for me. Someone asked me to map the “Mr. Completely” sandwich from Utah in 2003. It’s like 45 minutes long, and I never heard it before. There are so many of these abstract jams that I’m discovering every day, for the first time, based on people’s suggestions. I stopped listening to the band in 1993 or so.

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Utah 2003 Mr. Completely -> Low Rider -> Big Black Furry Creature from Mars -> Buried Alive > Big Black Furry Creature from Mars > Ha Ha Ha > Big Black Furry Creature from Mars > Mr. Completely

PM: How come?

MH: When I went to graduate school, I got heavily into classical music. It was a different time for Phish and Phish fans, you have to keep in mind. I saw them in Syracuse in 1994 after not having seen them in a year or so, and I remember thinking they had gone too far outside, that they were going too far out. That was my impression in 1994. So, I moved away from it and started I listening to other stuff.

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Columbia, Missouri 11/22/94 Funky Bitch>Jam>Yerushalayim Shel Zahav

PM: What brought you back to the music?

MH: Hampton in 2009 hit me with a big nostalgic streak. A lot of people were hurt by the breakup/hiatus, but I was relatively unaffected by it. So in 2009, I started finding my way back to Phish and found there was a lot of great music there. So the music from 1994 to today is new to me, and it’s a pleasure. It’s surprising — or maybe not, actually — how innovative they were in the ’90s. I’m looking forward to hearing Niagara Falls 1995 because it just sounds like a ridiculously good show.

Since February, I’ve listened to every available minute of every show between 1983 and 1991, in chronological order. Hours and hours of listening, every night. I don’t know how many Possums that is. But I enjoyed every show, even the ones that sounded horrible. It was like reading a great novel, listening for the subtle changes from night to night, following them on tour. I highly recommend doing that. The maps grew out of the notebooks — 600 pages or so — that I kept during that process. My original idea was to write a book, but now I’ve become obsessed with mapping. It seems like a more direct way to get my interpretations of the music out there. But the book is coming, when I can find time to write it. I might produce a flipbook of a certain tour — summer 2013, perhaps — annotate the maps with explanations.
I’m also interested in other bands – I’d like to hear more Umphrey’s McGee, for example, or to try some Max Creek or Miles Davis. I’m a huge Deadhead. I’ve already mapped out the Veneta Dark Star (8/27/72) and the entire ’77 Cornell show, but I’m not sure I’m ready to share those yet. But soon.

“EMEK: The Thinking Man’s Poster Artist” Art Show in Portland, Oregon this Saturday, September 21st

Featuring hundreds of new and past works, ranging from electric and glow-in-the-dark poster installations, to hand-crafted originals by this internationally acclaimed print and design artist, EMEK: The Thinking Man’s Poster Artist will take place on Saturday, September 21st from 5-9pm at Peoples Art of Portland. The exhibit will run from September 21 – October 13 (open Thursday-Sunday, 12-6pm) at the gallery, located at 700 SW Fifth (3rd floor) in Suite 4005.

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EMEK has made his home in Portland (from L.A.) for nearly 10 years now. But he lives in many worlds and his art shows it. Born a decade after the 60’s, he was nevertheless influenced by 60’s culture and counter-culture. He was raised in an environment that supported his crazy artistic aspirations.

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His first poster commission was done immediately after the L.A. riots/uprising of 1992, for a unity rally and concert held on Martin Luther King Day. EMEK writes of the creation, “On scratchboard, I depicted an image of MLK, Jr., rising above a concert crowd. No copies of this poster remain, but it does hold special meaning for me as the seed of my career.”

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EMEK is considered one of the most famous American poster artists alive today, part responsible for the lasting revitalization of the art form from the 1960’s tradition of music posters. His unique vision and insight to these creations spawned a new medium and collector base in the genre, and forever coined EMEK – “The Thinking Man’s Poster Artist”.

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So far, his unique visual style has graced music posters on a diverse musical spectrum, from Blues legend B.B. King to the Beastie Boys. He has painted album covers for Neil Young and Pearl Jam as well as for many punk and alternative bands. He was invited to exhibit at the opening for the Rock and Roll Hall of Fame “History of Rock Posters” exhibition and has been in national and international magazines. As you read this, his work is permanently displayed in Hard Rock Cafes. Over the last decade, EMEK’s work has been shown in galleries across the United States, in Berlin, London and Tokyo. In December, 2007, Billboard named the top 25 rock posters of all time. EMEK garnered 3 spots on the list, the most of any single artist.

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EMEK with Wayne Coyne

In Emek’s posters, psychedelic 60’s imagery collides with 90s post-industrial iconography. To this collision of the organic vs. the mechanical worlds he adds humor, social commentary and fantasy. Even in the smallest details there are messages. All of EMEK’s artwork is originally hand-drawn and then hand-silkscreened for each actual concert or event, usually in limited editions of around 300.

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This is EMEK’s 3rd annual show with the gallery, an always celebrated and magical time as hundreds of art works grace the space. We will be featuring highly sought original works; installation areas of electric poster boxes and glow in the dark/black light works, as well as a selection of rare past works and concert handbills. Our gallery slogan, “For Artists, By Artists” is represented as a whole by this generous and talented Portland transplant and we are proud to present this enormous collection of his works.

Facebook event page 

PhanArt’s Summer Tour Recap, Part 3

Phish tour in July meant that I could plan to see a bunch of shows without fear of missing school or having to rush home after a show to be up in time for students. This summer was filled with incredible music, great times, good traveling from show to show and meeting new friends and experiences along the way. Here’s my recap of Phish tour from Alpharetta through Toronto and back home again.

Monday I got on the road around 11am, later than I planned but with more than enough time to spare. I was heading from Columbia to Sumter, SC to see my Aunt and Uncle and cousins. The drive was decent, I saw a couple fans along the way, a couple with Phish license plates, watched for cops through Virginia and flew through North Carolina. A nice southern meal and beers with my cousins somehow led to talking about guns and the Second Amendment. There were more beers and then a few rifles were brought out for some reason, but more for show, less for late night hunting. Who knew guns and beer mixed so easily? Then I was asked to explain how I afforded tour and I showed them the contents of the box in the trunk full of PHeanuts shirts and others I was selling this summer and they didn’t get it. Explaining the music of Phish is easier than explaining how a shirt like this is something people buy.

(Note: I am also noticing, as I get into Part 3 of this recap, that the more shows I go to, the more I have to write. Hence, Dick’s is three days away and I’m still writing this.)

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Leaving the next day to drive to ATL meant a newish highway to drive on, which is sort of exciting when you’ve driven most of the eastern half of the country. I got into the loop around Atlanta, was going one way, then backtracked when the trip for a Lot A pass was unnecessary. I drove to meet Bud and Jessica at a new brewery about 20 minutes from Alpharetta. We had a beer and then drove to pick up cold ones, and drive to Lot A. It was nearly 2:30, and some folks were inside, maybe a dozen, setting up on Shakedown. A half dozen cars were waiting to get in and weren’t about to be turned away. The cops finally agreed to let us in, but restricted further traffic a little until about 5pm. This led to more than enough time to set up on Shakedown, right across from Noah and Jiggs and next to Mike Boyer, with prime location taboot. I worked off a bag of wine while catching up with tons of southern friends, and more than a few who used the Syracuse (not Clemson or UT) flag as a meetup spot on lot. I have to say, the crowd was top notch and these were some of the finest lots I have been in for vending. Even the cops were polite and cool in dealing with us, being patient and not hassling us throughout the two days there. This was a welcome relief, and realistically, the last lots with vending until Fall for eastcoasters.

IMG_4596The show that night I felt was better than the next night, for the “Pebbles and Marbles”, but that second set with “Heartbreaker” was a lot of fun, as was the jam into Makisupa, seen below. The “Chalkdust” had a little something extra in it, and Tweezer > Silent in the Morning was nice. A strong encore of ADITL and Tweeprise led to the lot scene erupting over, selling a few TRiPP posters and picking up some short runs local fans made just for these shows.

I could have gone with latenight Waffle House, but waited till the morning to get hash browns scattered, smothered, covered, chunked, peppered and countried (sausage gravy). A needed oil change and we were on the road up to the venue, but alas, not in time for the now-strict 2:30 arrival time. We missed out by just a little bit, so we went down into the urban sprawl and found some beers and food at Five Seasons before heading back to wait in line to get in. Driving around to get back to the lot made me wonder whose bright idea it was to put a music venue in the middle of the burbs, then give it 10 entrances, all in separate areas and restricted by ticket? We were lucky, but it seemed like a poor decision, either for the venue to go there or the sprawl to engulf it so. Still, back on lot at 5pm was good for me and even with a little sprinkle of rain, still had a great day on lot, catching up with Lucas, Holly, Alex, Tyler, Cait and so many southern #twibe folks, my EZ-Up became a default meetup spot.

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Pete, Lucas and Doug

After rocking through a bag of delicious wine (judge me) we packed up and headed in, just missing the rain and ducked into the floor, which was quite spacious and I have to say – what a fucking venue! I loved Alpharetta’s layout, sightlines and sound, it was perfect. Those parking lots were lacking but made up for it with fans. Tonight was a little more rudimentary, “Frost” was new but also should be a TAB song IMHO; “Divided Sky” was nice to finally hear this tour, but the “Drowned>Water in the Sky>Energy” gave some potential that paid off with a really fun Fluffhead, and a Mike’s Groove with a Wedge in the middle. Walking out into the rain sucked, especially when it was coming down and not letting up. Lots were basically closed and there were few if any vendors. I stayed as dry as I could and dealt with the rain, driving back to Sarah’s place with Bud and Jessica to get some sleep after two fun as hell days. I don’t know how I missed shows here before, but it won’t happen again.

Thursday was a travel day, and a long one at that. I planned to be on the road by 11am, but that didn’t happen. Waffle House did, as did a search for the sweet Southern nectar of Sweetwater 420, Blue and IPA. I think I ended up getting on I-75 at 2pm, but made great time through Tennessee, then to Kentucky where I sailed on a road with hardly any other cars – kinda creepy. Indiana was no better, with some dude trying to sell me get me to buy him gas for his crotch rocket (I declined), then drove a few miles before stopping to vacuum out the entire car – great advice from a friend, based on learning that I was driving into Canada for the Toronto show. It was 20 minutes well spent to have no unexpected headaches later on.

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Indiana has wind farms that stretch for miles in all directions. Pretty impressive, but best seen at night when the red lights at the top blink in unison, like Close Encounters of the Third Kind, but smaller and less Dreyfussy. I made it to Chicago around 1am CST, making it a 12 hour trip by any standard. Parking was difficult in Lakeview East (but really, Boys Town/Wrigleyville) where Barry lived. I parked six blocks away and lugged my stuff in for the night, sleeping like a rock until noon, when I had to arrange for the lots, drunk bus and whatever else I would need for the show. The bus was cool, with free PBR, but we weren’t allowed to park where the venue said we could – in the parking lot, so that put a snag in the plans and we were dropped off at the venue, but had to walk to get the bus at least 10 blocks away. I could handle that later, even though it sounded like it would suck.

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Then the show and storm happened. I wasn’t thrilled about the bus, and the lawn wasn’t exactly a lawn – we couldn’t see the band from where we were, but yes, big screens. The announcement was disappointing and I’ve said my peace with it, but I still think they could have had better foresight, skipped setbreak, gone on earlier, something. The venue being in the middle of nowhere doesn’t help for other emergencies, real ones at that. So that happened, I ended up cabbing it home and tried to fathom all that happened with the show cancellation. Meanwhile, Pearl Jam continuing to play 6 blocks north of where I was staying was tempting, but it would just be salt in a wound. Sleep would bring me closer to some degree of acceptance of the show being cancelled.

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I was still bothered by it the next day, but had to get my phone repaired and got taken care of by Kaylin at VW, bailing me out when I had no other recourse. I returned to Barry’s and headed down to Erika’s hotel, simply because I needed to be closer to the venue and wanted to see the city a little more. I lucked out staying on the Magnificent Mile and despite the cabs being impossible to get, it was much faster to get to the venue than by bus. The three sets intrigued me, as I hadn’t seen a show like that, outside of NYE, since Coventry, and those sets weren’t the best to reflect upon. We camped out a little closer on the lawn and had a better night than the last: “Golden Age > Waves > Piper” FTW! I fell asleep instantly when I got back to the hotel, after wandering around and getting a coveted Boba Fett Phish poster (thanks Nicole!)

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Waking up at the hotel, I took a dip in the rooftop pool, which was full of a wedding party who were pissy at everyone who didn’t stay at the Crown. I found a nice restaurant for Erika and I to hit off Bandera for delicious sandwiches, peanut cole slaw and home made Oreos with ice cream in a pool of chocolate. Tonight’s show was going to be incredible because this meal was just that good. This time, I drove to the venue, since I had to leave right after to get on the road to Toronto. We paid $40 to park in the main lot and have access to whatever art/beer I had to get rid of, since Canada might have an issue with a ton of PBRs, which I sold at the #twibe get together for a buck (again, thanks Toombs!) but was still stuck with the cooler.

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Cactus came to the Tweetup

These shows were better than the other two simply because the first set was full of ‘We owe you a great show to go out on’, but was again caught up by the rain, and this time – it actually fell when they pulled the plug! Having that orange rain suit is awesome, but I left the overalls in the car, so I scrambled to keep my phone/camera/flip dry, and ended up under a tarp for a spell since there was no refuge being on the floor, but we did have a great view of the lights from dead center/15 feet in front of Kuroda. Second set was off to a great start with “Energy > Ghost” and no one can complain about “Lizards”, but that “Harpua” was something – hilarious, well intentioned and well delivered. The Second City folks were an awesome bridging of the arts – musical and comedy – and got the stories going, whether they were well planned or if it had some deeper meaning, which I agree with.

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The aborted “Antelope” returned and I headed out during “Zero” so I could get things packed up in the car, sell a few quick prints and get out of town. Alexandra, who is selling the Phish Shades on tour planned at some point in the past week to drive with me to Toronto, which was awesome since driving alone there would have been difficult, if not impossible. On the road at 1am and into E. Lansing Michigan for 5 hours of sleep at a cheap hotel were just what we needed, plus some Tim Horton’s because their coffee is delicious! It was only two hours to the Canada border, and we stopped for last chance gas and drinks, where we saw Steve and Katie, and carvanned into Canada. But not before listening to “Blurred Lines” a few times – I heard it for the first time after Chicago and yes Trey, get Phish to cover it!

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Sunset complementing Kuroda

Or so we planned. We got to the gates at the Blue Water Bridge in Port Huron and after saying that yes, we were going to the Phish show, directed to go to the place where they dump your car out because Phish fans are always hiding something. This took 30 minutes or so, and the border guards were incredibly polite and chatty, letting us know exactly what was going on and were cool when they didn’t find anything. Others were stopped too, all with the same ‘Seriously? We’re not that dumb to bring anything into Canada.’ looks on their faces, just as I wore for 30 long minutes. We got back on the road after repacking the car (with border guard assistance!) and hightailed it to Toronto, making it there around 6 pm and the lots around 630 pm.

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There are no lots in Canada. I saw no Shakedown, not even an EZ-Up. Some even balked at taking a FREE Surrender to the Flow! Still, I sold a few stickers to some Americans and Alex sold some sunglasses while we pounded beers before going in. “Undermind”, “Halleys > Twist” and the set closing “Suzy” were all solid, and we rocked out with dead center 400 level railing seats, which led to some pretty impressive photos. The $15 for a 750ml Molson Canadian was weird to see – that much for Canadian beer? Set 2 had a favorite segue of the summer for me: “DWD>2001>Free>Piper>Tweezer” – this was incredible and I had my sore legs to prove it. Canadians tried a glowstick war but it was too polite. “Bowie” was good too (but I felt the show coulda used a YEM to end it instead of Bowie) plus as triple encore, with a nod to the new Prince, something I told Alexandra might happen and she will totally back me up on that. Seeing the CN Tower through the windows of the Amphitheater was pretty damn cool and the Toronto skyline, apartment buildings aside, looked great through the side of the stage.

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Post show, I lost track of Alexandra on the way out, then casually lingered around the lots handing out the last STTFs before driving to BB’s in Buffalo, which was miraculously only 90 minutes away. I got some sleep, woke up the next day and drove to Albany, stopping in Baldwinsville to meet up with Herby, the publisher of UpstateLIVE to talk about the magazine and pick up some issues for my future travels.

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So, thats 14 Phish shows in 20 days, a helluva way to spend a July. I had three festivals back to back to back – Gathering of the Vibes, Backwoods Pondfest and The Big Up that followed, making for the day between, July 24th, my one day of respite before it started all over again. Live music can be incredibly addictive yet well worth it, especially when it’s The Phish from Vermont.

PhanArt’s Summer Tour Recap, Part 2

Phish tour in July meant that I could plan to see a bunch of shows without fear of missing school or having to rush home after a show to be up in time for students. This summer was filled with incredible music, great times, good traveling from show to show and meeting new friends and experiences along the way. Here’s my recap of Phish tour from Holmdel through Merriweather.

It turns out I could have done some more work on Monday, because I was up until 4am Wednesday packing, editing, writing, even vacuuming before I left. I didn’t get on the road until 3pm, which wasn’t good because New Jersey rush hour is just the worst. I got to the Garden State Parkway around 5pm and sailed to the exit, bypassed it, tried to cut in and was met by the cop parked right there. Gotta admit, good spot if you’re low on that ‘illegal lane change’ ticket quote. Still, I got in and parked within 100 feet of the entrance. I had only been here before for TAB in 2001, which you can read about here

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I caught up with Tim and Shaun and Bryan and others, sold a few shirts and went inside. First set was nothing crazy special, although I do enjoy a nice ‘Theme’, but second set contains my vote for 2nd best jam of the summer (after Tahoe Tweezer) – Crosseyed > Hood was incredible for a great 30 minutes of deep jamming and a blissful 4 minutes in the last section of Hood. This second set was the heat and steamy inside, and showed that the band was on track to play better and better each night, which they did for the most part of the summer. It helped I was down low (thanks Tim) and got to see the spaceship aspect of the venue, very underrated in my opinion. I found my way to the Shakedown in Lot 3 that was quite a hike down and up hill, where I caught up with some artists and sold some shirts before taking an easy drive to Shaun’s.

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In the morning, I left with Satoshi and Yasunobu to head out to Yankee Stadium, meeting up with Jason and Jules to see the Royals at 1. Bonus – great seats in right field only a half dozen rows back and Ichiro playing Centerfield. IPAs in hand, we brought two Japhans to their first American Baseball game and basked in the sun on a relaxing as hell day. Jeter came back, got a hit and run and promptly got hurt again; the Yanks came back to win 8-4, and Satoshi and I drove to Long Island, where we stayed the night before the Jones Beach show with Amy, taking it very easy and drinking Blue Points galore.

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Friday was my last day to finish my SPAC review, and managed to get it done by noon and then get through all we had to take care of before getting to the lots. Yasu took care of his streaming stuff, Mark came over with his kid Henry, it was a crazy day and that was before picking up cases at Swiftway and some Italian next door. Looking at 5% chance of rain and nothing on the radar, things looked good for Jones Beach.

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The PhanArt Board of Directors

Then we got there, 20-30 mph winds were a norm and this was going to be interesting. This is one of those times when being an Eagle Scout is awesome. We set up the EZ-Up, tied it down to the wheel of the car, put up the tarp and tied that down, and holding one arm of the EZ-Up in place, we had a shelter for a dozen people at a time. For two hours before a show, this was damn fine group work, getting a little comfort in before the show. And we needed it. That was the worst rain I have ever dealt with at a show, on par with Bonnaroo 2004 and SummerCamp this past year. First set was fun though, I was so pumped up because I have this full body orange rainsuit, and I stay pretty dry in it. They are the best. Yet I got wet because gale force winds and driving rain that seemed to blow upward. Set break Sue, Bryan, Jada, Toombs and I took refuge outside the tunnels, and then, the rain stopped, and the second set began with a reward for toughing it through the rain – “Rock n Roll > 2001 > Tweezer”, all of them just driving the energy in the venue higher. The jam into “Cities was greeted as all Second Set Cities™ should be – with freaking out, and again into “The Wedge”. Even Velvet Sea and Zero were good, and now that I was drying off, the night was looking better and better, even though the rain was manageable, to an extent.

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Post show, I took my sweet time getting dry and ready for a drive straight to the hotel in Columbia, because it was going to rain on and off and taxing. Satoshi and Yasunobu drove with me, but they stopped for a bit in Jersey. I had to get to a bed before I slept and didn’t want to miss going to the venue at a reasonable hour. I got to the Comfort Suites, a pretty nice new chain, for me, and checked in as soon as I could. The drive down was great, the destination even better.

Lunch was a crawfish boil at Noah’s place, with all the fixins and some incredible spice to the crawfish. It was on the way to the venue and Julie and Lesley were both there, a pleasant surprise for all. Crawfish were tasty, but have so little meat on them compared to other seafood I eat. It was damn tasty nonetheless and a culinary bucketlist item to cross off. We managed to get to the lots around 6, ending up in not the good big Lot, which was chill and brought out the Baynes, Charlie, Herschel and Mike Lawrence, who is shooting a 30th anniversary fan film, look for him at Dick’s and on Fall Tour!

There wasn’t much to write home about with MPP night 1, except that I was really glad I was in the pavilion, that rain during the end of Set 1 looked rough, and with the odd slope of the lawn, fuck that. Actually Taste, Maze and Melt were all good in the first set, as was the Hood, but the heat came the next night. Post show, the cops were happy to rush us out the door and back to our hotels, which had a wide array of late night revelers, some spunions, dudes drinking good beer, tweakers and girls drinking good beer. I met some dudes from Texas I think. It was a late night.

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The next day, I was patient for the opportunity to go to a Gastropub for the first time, Victoria’s in Columbia, based on Tim’s recommendation and reminders of ‘duck fat fries’. I ended up with Eggs Benedict, but with prosciutto and crab meat, on a biscuit, with citrus hollandaise sauce. Quite possibly the meal of the tour. We got to the main lot early and got a prime spot – maybe 5 car lengths from the RV the cops were using for surveillance. I put up the Syracuse flag, as I do at most shows, and this year I didn’t get any grief for it. We ended up with a nice lot spread, met some new artists and chilled with everyone who was done with tour and not heading south. In fact, I wouldn’t see some of these folks until Dicks, or even Fall Tour. The first 8 shows there was a good crew of folks, from Twitter and just over the years hanging together. That was cool.

The day was humid as fuck, so inside the circus tent of MPP, it wasn’t going to be any better. The show started out nicely with First Tube and had that pretty awesome debut of the Marimba Lumina in Mule, and as always, a Tube so short you couldn’t take a piss during it. Set 2 with Golden Age > Twist was a perfect combo of songs to get things going, but Light > Boogie Man was where I ended up getting down, all leading up to YEM. Plus a good amount of the Chicago crew I would see in a couple days was there, plus a pair who drove down from Camp Bisco, which ended at dawn that day. There has to be an award for that, driving from a festival you worked at for four days, then to a Phish show. Well done Clownshoes!

Post show, I milked every second out of the lots, because shirts needed to be sold before the unpredictable Alpharetta lots. Back at the hotel, Satoshi and Yasunobu were leaving at 4am to drop off the rental car and fly home (Satoshi) and to Atlanta (Yasunobu). By the time I passed out, I had a big smile on my face, as now my tour was more than half over and it had already been an awesome adventure so far.

Insert appropriate quote from The Curtain here.

PhanArt’s Summer Tour Recap, Part 1

Better late than never, and just in time as I head west to Dick’s, here’s my recap of the 14 shows I did this summer, from Bangor>Toronto, warts and all. Plus a brief recap on Summer in Saratoga: A Rock Art Exhibition, which you can see more photos of here.

Phish tour in July meant that I could plan to see a bunch of shows without fear of missing school or having to rush home after a show to be up in time for students. This summer was filled with incredible music, great times, good traveling from show to show and meeting new friends and experiences along the way. Here’s my recap of Phish tour from Bangor through Toronto.

Myself, Sue and Bryan – all planned to leave on the 2nd from Albany, so we weren’t driving six hours the day of the show. About a week before, Jake hit me up looking for a ride. When a girl like Holly is your reference, say no more. Jake was in with us and we headed up to Bangor after a whirlwind day of getting things in order before starting tour with a clean slate. I had just finished writing a children’s book two days prior that I had put off for entirely too long, and the lack of time to get it finished was a nice propellant to get it done. With the book done and my first Phish show in Maine since IT on tap, the drive was an easy one. Albany>Bangor took just about six hours, but the longest part – Maine, was made extra creepy with a rolling fog on the 95 the entire time. We joked that the home state of Stephen King would be like this.

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Arriving at a Motel 6 around midnight, we checked into a fine 2-star motel and ordered Dominos, because that’s what Maine has to eat at midnight on a Tuesday. We missed the Trey interview on PBS’ NewsHour at 11pm, but we were lucky enough to get a replay at 1am and stayed awake to watch it. Aside from Trey and the interviewers voice, we were so silent we may as well have been in space. I’ve seen this before – when Phish is on TV, or a member of Phish, you stop what you are doing and remain SILENT until it is over. Trey’s interview was the equivalent of putting up three fingers in Boy Scouts or a teacher counting 1….2….3…., but it was all instinct. And an awesome interview taboot. If there’s one aspect of Trey I am fascinated with, its his playing with orchestras these past few years. I actually wrote my first post on PhanArt about the Carnegie Hall show in September 2009. 

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We all woke up the next day excited as anyone could be for the first show of the tour, and for Sue, Bryan and Jake, the first show they’d see in Maine, which is cool if you’re into traveling for Phish. By awesome coincidence, Stu, who I went to Syracuse University with, happened to be vacationing in Bangor. We planned to meet for lunch as a group and visited Sea Dog Brewery, which was located just down the street from Darling’s Waterfront and right on the Penobscot River. The beers were far better at the brewery than in any bottle I had ever had – while this is true for most beers, it is especially true for Sea Dog – and tasty Fish Tacos with the local catch. For only seeing Stu a couple times since he graduated, and our chats and interactions on Facebook, it was a welcome treat to go to a new town and find a friend there, even more so because that friend wasn’t in town for Phish. After lunch and a couple of pictures together, the four of us, now sans Stu, took a short walk up the road to find Stephen King’s house. You couldn’t have found a more awesome/creepy house, complete with dragons, spiderweb gates, a Benz in the driveway, and a gate that was wide open. A few photos and it was back down the hill to the lots, but not before some random as hell dude drove by and tried to sell us pot; apparently Phish being in town means that locals who grow their own use this method of marketing. Naturally, we balked and found an open spot in the lots next to Sea Dog and set up the EZ-Up among a few old friends, and got some more to join us in a packed lot (carwise) for a good 3 hours on lot vending some and catching up with friends we hadn’t seen since NYE in most cases.

We could hear soundcheck from where we were, not too bad and how many people can say their favorite band gives them a treat like that pre-show? We wrapped things up on lot, walked to the show and ran into Parker Harrington who was shooting the show for Livemusicblog, just as Possum was about to get started, because naturally. Overall, I thought the show was fun, with first set a series of standard with some jams, but the Golden Age and Antelope from the Second Set boded well for what lay in store the rest of the tour. (I’m not getting into details on music with these recaps, unless something was pretty awesome).

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The ride back… I had been up since 9am (still on teacher sleep schedule) and it was nearly midnight when we got on the road. I’ve driven farther on less sleep, and with the help of (no joke) the new Donna the Buffalo album and assorted Disco Biscuits and Daft Punk, I was able to make it within 2 hours of Albany before handing the reigns over to Bryan, just as the sun was breaking through. Endurance driving is fun, but after a while, it gets old. Alpharetta to Chicago was easier than this drive and nearly twice as long.

We dropped off Sue and Bryan, Jake and I went back to my place, getting whatever sleep we could. The 4th of July was looming and with a party at my folks place, this was going to be the one night I would sleep halfway-decent until Sunday. After unpacking and squaring things up, I was in bed by 9 AM and able to enjoy the 4th of July, so so much for that plan. Food, pool, drinks, new friends, old friends, everyone filtered in and out during the day over at my folks place, a perfect spot for those days off before SPAC, now in its 4th year! Some folks from School of Phish stopped by, Satoshi flew in to start tour the next day, plus Jules, Scott, Laura, Erika, Adam, many others as the night progressed, because there’s only so much to do in Albany on the 4th besides wait in traffic leaving the EmpireStatePlaza fireworks display.

I woke up on the 5th needing to get to last minute advertising for the art show in Saratoga the next day. Phish was the furthest thing from my mind at this point. I shot up to Saratoga, got some flyers printed, laminates made, checked in at the hotel and helped assemble some of the cardboard displays before rushing back out to get to Albany Airport to pick up Sam (90 minutes late) and Dr. John (30 minutes late), grab food for myself, Sam, Dr. John, Jules, Laura, Jake and probably Toombs, shower and get ready to drive up to the show.

This all unfolded in the short span of 4 hours and got the adrenaline going nicely. To top it off, I had to be on the road by 4pm so that we were in the ‘good lot’, the one across the road from the venue on Route 50. There’s limited vending while you’re up there, and this was the safer of the options. Plus, I had to get out as soon as possible after the show, with the art show and all the next day.

Picking up the media pass for the day and catching up with Andy Hill, photographer for UpstateLIVE.com where I’m the Online Editor, we snuck in just under the wire before they wouldn’t let anyone else in due to a strong thunderstorm cell that was passing over. This is the kind of caution that I can respect, unlike say, NortherlyIsland, but I’ll get to that later on. Watching the crowd pour from the lawn into the balcony, then back out in an orderly manner was actually a thing of beauty – how many other bands have fans that would have done that, without making a scene, pushing, shoving, or being general dicks?

With seats in the third row Page Side, I got some pre-show time to chat with ScottyB from Jambase, talked to some local press and saw familiar faces around the venue (Scott Marks, taper Lenny Stubbe) before resting my legs for a bit prior to the show. I thought the first set was a solid one, especially the Bathtub Gin and Yarmouth Road, but second set had that incredible jam leaving 46 Days that stuck out more than anything. I was happy to be down close and get a good view of the band, something I’ve been more cognizant of in recent tours. Naturally, the rain came down as we left and I wasn’t home until 12:30 AM.

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I love being a part of The Mothership Art Collective and help to put on these great art shows that feature amazing artists and a little something for everyone. I hope to continue being a part of this as long as the band is around and longer. Here’s an idea of what its like to put on these art shows the day of the event:

I woke up on Saturday the 6th around 730am, when some were still awake from the night before, and rushed to shower, put my final art and boxes in the car, filling the entire thing up (plus cooler – these events are dehydrating). These events are great because they are in the middle of a three-day run, so its just one night of sleep, but it’s also a REALLY long day. I’m used to them by now as I’ve been part of a half-dozen or so art shows with PhanArt and Mockingbird, so it’s a marathon like no other. Leaving by 8am and arriving around 830/845am, we unpacked the car and quickly watched the largest room we have ever had (!) come together. There were last minute additions (Michael Boyer, Mark Serlo) and many regulars (AJ Masthay, Isadora Bullock, Noah Phence, Branden Otto) and first timers (Nate Duval, Drew Suto) among the two dozen artists in attendance. Some see each other on Shakedown at shows throughout tour, some are meeting for the first time, or some degree of familiarity with each other. I set up my tables with PhanArt goods and a wide spread of art donated to Mockingbird Foundation – shirts, posters, ties, stickers, and finally assembled the PhanArt pin board with all the pins donated, and for sale, to benefit Mockingbird Foundation. THAT was a task and a half, and done mid-show taboot. There were great volunteers helping out this time, which made things a bit easier and I was able to chat with fans to a greater degree than past shows. Great thanks to Chris, Kelley, Jesse, Windy, the always helpful Dr. John, Satoshi and other I am forgetting, but wow, what a show! We raised nearly $500 for The Mockingbird Foundation, brought in other donations from artists at the show and had the largest crowd yet – 1200-1500 Phish fans, friends and locals coming to check out some awesome art. I was pleasantly surprised when Marc, who I went to SU with, happened to stop by – he was in town and saw about the show, so we caught up and got to introduce him to the Phish art scene, as well as a little Phish. The entire day was just that great.

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My good friend Shawn, who I saw TAB shows with in 2001 as I drove across the country, stopped by and joined the party for the next two days. We packed up the cars, drove over to the lots, barely got into the West 50 lot and had time to breathe for a little, amid the Tweetup of all the Phish #twibe folks. That was awesome too. The show, not so much. The first set was a dragging affairs, until that Melt came around. Second set Tweezer>Sand>Carini was a highlight of the night, and the tour for me, although I didn’t like Architect since it feels like a TAB song at best. For my one night on the lawn, it was a nice party with everyone.

Post show, Shawn and I decided to hit off Twiddle at Putnam Den, because if I awake after this long of a day, I’m certainly going for the trifecta – three shows in one day (and yes an art show counts). We only stayed for a drink over an hour, but it was a great night. Twiddle are quite incredible and are on the rise in just the right way, not rushing it or pacing it. Bed finally came at 4am, when a few of the other 8 staying upstairs and downstairs at my place, were just getting to sleep. Ah, youth.

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Waking the next day, my friend Erika caught up with us as we had lunch at Dinosaur BBQ, a must for anyone who likes food. It’s a regional delicacy for us and damn if it isn’t some of the best BBQ out there. We were on the road in time enough to meet up with Tim and Shaun and Steve and Katie, to set up TWoLArt again on lot. Perfect timing too, as we were one of the last 50 cars to get in that day. One day, I’ll get there early. One day.

With rain looming, as it did for most east coast shows this summer, we headed in a bit early, picking up the 3rd poster to cap off the three prints for the run – great work Drew Millward! – got our seats in the balcony, somehow, the second time for me, and this is a ‘hometown’ summer venue. First set was a rocker, second set a jammer. DWD>Ghost>Piper and Antelope>Meatstick>YEM are the things fantasy setlists are made of. We rocked out with security stopping by to make sure we didn’t breathe on the walkway (but still did anyways) and ended the night with a Loving Cup encore, with full release. Here’s my review for UpstateLIVE. 

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Post show, the fucking Rains of Castamere came down on us, that is, the handful who were dicking around leaving the venue. I was soaked when I got back to my car, but no complaints – Erika was driving us back to my place, a relief after so much driving already for me. Jake and Laura had decided to skip a Sunday show, a lesson quickly learned. Toombs did too, and left me a cooler full of warm PBRs. We mostly stayed up late, knowing there was little to be done on Monday, aside from travel for some and sleep for me. Monday was a take-it-as-it-goes day, with no rushing for any reason. Satoshi, Erika, Sue and I went to see the Lone Ranger (Jerry Bruckheimer old-west action film porn) and had an early night by comparison. I had Tuesday left to me for editing and final preparations for the next 9 shows I would see, taking me all the way to Chicago. It sucked to hear about Toronto being cancelled, especially for affected friends, and was able to attend the rescheduled date, making it 10 shows for the summer.

4 down, 10 to go.