This Week in PhanArt History: Northwest Tour 1993

New from PhanArt in 2011 is our weekly Friday Feature: This Week in PhanArt History. Each piece of art we share is from days of Phish in the past, typically from the 1.0 and 2.0 eras, something of note that fans of all ages can appreciate that is featured in the book PhanArt: The Art of the Fans of Phish, with some commentary on the piece by PhanArt Pete. If there is a piece of art or genre of PhanArt you would like to see, leave a suggestion in the comments below.

Submitted to PhanArt: The Art of the Fans of Phish by Brendan, aka Weatherman on PT, this shirt is the only one known to have been sold by fans on Spring 1993 Tour, one of the most extensive in Phish History. Brendan noted that he got this shirt, his favorite of all fan shirts he has bought over the years, that he picked this shirt up on 3/25/93 or 3/28/93. This is the era when Phish PhanArt started to become more common at shows and became an entrenched part of the Phish community

Hug Japan charity pins for relief efforts from CrazyRedBeard

From Jon Blake, aka CrazyRedBeard:

Hi guys…we here at CRB Productions have been profoundly impacted by the recent events in Japan. We like to believe that we think globally and act locally, giving where we can and working in fields where we believe we can be of use. But in this case, we wanted to create something that could offer some small token of our humanity and love to those that have been affected by the heart wrenching happenings in the east.

With this in mind, we give you the CRB Hug Japan relief effort pin.

 

The red circle represents the emblematic dot of color in the Japanese flag…we’re only making 100 for now and all proceeds after recouping costs will go to aid relief efforts in Japan. If there is a certain organization you’d like your donation to go to, please let me know. I was thinking of splitting it between Doctors Without Borders, the Red Cross and Global Giving.

Pins are going to production now: I am asking $15 per pin and $5 for shipping. If you get more than one pin, you only pay the $5 shipping once.

Just so you know, there is no white border around the character hugging the red dot. Just the little fella and the flag logo. :)

# of pins

Phish and JEMP Records to release “Japan Relief”: Field of Heaven, Fuji Rock Festival, Japan 7/31/99

From Phish and  JEMP Records:

In response to the recent earthquake and tsunami that the people of the northeastern part of Japan have endured JEMP Records is releasing “7/31/99, Field of Heaven, Fuji Rock Festival, Niigata, JAPAN” as benefit CD at & download at Phish Dry Goods and livephish.com to benefit Peace Winds America http://peacewindsamerica.org. 100% of the funds Peace Winds America collects for disaster relief will go to support operations through their sister organization, Peace Winds Japan. Relief operations began March 15th and are currently underway in Miuyagi Prefecture, where Peace Winds is on the ground providing food, clothing, medicines and temporary shelter to survivors of the Great East Japan Earthquake and Tsunami.

7/31/99 was recorded by Paul Languedoc and mastered by Fred Kevorkian. We’d like to thank Fred and the folks at Nugs.net and Music Today for donating their efforts to this cause.

The expected release date of the download at livephish.com will be April 15th. The expected ship date of the CD from Phish Dry Goods (drygoods.phish.com) will be May 10th. Click Here to pre-order

About the show:

Immediately following their 1999 U.S. summer tour, Phish traveled abroad for their first ever shows in Japan. Fuji Rock Festival took place on multiple stages and the festival had specially designed the “Field Of Heaven” stage for Phish to play three consecutive nights of complete, two-set headline shows.

This release features Phish’s entire show from July 31, 1999 – the middle, Saturday night as well as “What’s The Use?” from their soundcheck on July 29th. The July 31st show crackled with energy, intermingling classic and new material with an exploratory vibe that meshed with the atmosphere of respect and beauty.

Set one had many high points including standout performances of “My Friend, My Friend”, “Back On The Train”, “Limb By Limb” and “Character Zero”. Set two started in the stratosphere with a “2001” > “David Bowie” opener that proved the most experimental music played at Fuji Rock transposed against the gentle beauty of “Wading In The Velvet Sea”. Set two also featured one of the all-time great renditions of “Prince Caspian”, a smoking “Fluffhead” and mystical “Simple”. The encore provided a chance for friend and fellow musician Nawang Khechog to address the crowd about Tibetan human rights and perform with Fish on vacuum for a meditative jam with Fish and with the whole band on flute for a special “Brian And Robert”. Japan proved a perfect host for Phish, the Field Of Heaven has survived ever since as part of Fuji Rock Festival and Phish has maintained a strong connection with Japan, weaving Japanese lyrics into “The Meatstick” as recently as New Year’s Eve 2010-2011.

In the past, charitable downloads at LivePhish.com have raised over $100,000 for four non-profits: the Harbor House of New Jersey (The Headphones Jam), the New Orleans Musician’s Clinic, the New Orleans Jazz and Heritage Fund (Katrina Relief) and the American Red Cross (Haiti Relief). Additionally, the Mockingbird Foundation receives funding on an on-going basis from the proceeds at LivePhish.com.

Donations for Mockingbird, Winter 2011

Special thanks goes to the following artists who were featured on PhanArt in the past two months. They have been undoubtedly generous and their donations will in turn support the efforts of Mockingbird Foundation to promote music education throughout the country.

Isadora Bullock – Three 2009 posters (Red Rocks, Jones Beach, Philly) and three 2010 posters (Telluride, Deer Creek, Charleston)

MYFE. Designs – 5 pins from their collection

SIMON OSSITT Antelope Neck Tubes $10

Brian Kushner and PHANBADGE – 2 sets of 7 festival merit badges

Ian Millard – Antelope Poster (#16/25)

Jeff Crookes – 2 sets of 4 Lego Band Members

Caimen Ruff – $30 and 2 posters

Tyler Davio Mugs from NYE -$100

Grand total to start 2011: $140 plus 6 posters and much more! Thank you all!

This Week in PhanArt History: Random art of fans

New from PhanArt in 2011 is our weekly Friday Feature: This Week in PhanArt History. Each piece of art we share is from days of Phish in the past, typically from the 1.0 and 2.0 eras, something of note that fans of all ages can appreciate that is featured in the book PhanArt: The Art of the Fans of Phish, with some commentary on the piece by PhanArt Pete. If there is a piece of art or genre of PhanArt you would like to see, leave a suggestion in the comments below.

This week we feature some of the random art submitted to PhanArt: The Art of the Fans of Phish that is otherwise uncategorized – shirts, stickers and the like that are related to songs, events or tours, but do not fall neatly into a particular category.

Created by Brian Patrick Henry, this shirt is circa 1997, when Calvin and Hobbes was still something the kids remembered and identified with, as there were many Grateful Dead shirts from the early 90s that featured the cartoon duo. On first glance, the song references Suzy Greenberg, but that is Calvin’s neighbor Suzie (actually Susie) who he is not being a nice guy to, thus referencing Mike’s Song.

From the extensive collection of Noah Phence, this COL 4BN sticker highlights the Vermont license plate, even noting two small marijuana references. The first, a small pot leaf in the upper left hand corner of the sticker and in the bottom right corner, a fake expiration tag of 420B24-7.

Submitted to PhanArt from the collection of Frank and Christine Cortazzo, this sticker’s exact date is not easily discernible due to the conflict of IT in the background and 2004 Phish Tour on the sticker. It references 7/29/03 where Jimmy was revealed to be Fishman, and he was searching for IT. So it is possible this sticker was made in 2004 for Vegas or one of the two legs of the Summer tour.

Submitted by Gregg Kelley, this sticker was purchased on ebay during the hiatus of 10/00 and 12/02, making it difficult to date, but based on the genesis  of Gotta Jibboo on the Farmhouse album, it could have been made ay any time during or after the Summer of 2000er 2003.

The Melody of Motion: Following Phish and Widespread Panic, by Carl Cole

Buy The Melody of Motion: Following Phish and Widespread Panic as a Hardcover, Paperback or E-book at lulu.com

Book Review

               This book takes me back to the start of my journey with Phish in the late 1990s. The Melody of Motion: Following Phish and Widespread Panic is a very fun read and the pages turned rapidly as the story got more complex and developed with easy relatable characters. The main character of the book, Melody, “had arrived at the everyday parade” at Oswego in 1999 and provided the backdrop for an accurate telling of the bonds forged between fans of Phish by the characters sharing their stories with each other. In the first 50 pages, even the casual fan can quickly identify with any of the well-thought out and elaborate personalities, capturing the Phish vibe and how it relates to their individual lives. The characters of Melody, Nathan, Phil, Lucy, Kale and Jessica are powerfully correlative as to what a microcosm of the Phish community looks like from the inside out. This glimpse of one group of friends is connotated by Cole with attention to detail of the lot, so much so that you can visualize Oswego’s life on the runway, falling in love on tour, the tribulations of Phish tour, all captured in a slow-building glorious payoff.

               Melody’s character brings to mind girls from years past who hopped on Phish tour, found the vibe they were looking for and took it not just to heart but made it one with themselves. Her youth and beauty are well written and accurately captures the many aspects of Phish, both on and off tour: falling in love, back stories each fan has, and most importantly (and impressively), the relationships built spontaneously that last years, coupled with the feeling we get when the music begins. The Melody of Motion dissects the differences between Phish and Widespread Panic very simply and clearly, citing the firsthand knowledge of someone who appreciated and understood the intricacies of both bands, rather than a fan of one band with a fleeting knowledge of the other.

              One of the significant highlights in the book is a first-hand account of the shock Widespread Panic fans received in April of 2002 when it was revealed that Mikey Houser, the namesake of the band, was diagnosed with and dying of pancreatic cancer. Shared clearly and with great detail is the police crackdown at Oak Mountain in Pelham, Alabama in April of 2001 and again in Memphis in November of 2002. The first Bonnaroo’s heat is felt through a blistering retelling, coupled with attending to medical needs while at a festival and falling off tour due to frustration. Panic’s summer 2002 tour with the loss of Mikey, the moment of candles at Fiddler’s Green, pregnancy and marriage are all breached and evoke powerful emotions for even the most casual, if not skeptical Widespread Panic fan.

                Life as we know it happened in between the 1.0 and 2.0 incarnations of Phish, and likewise between the 2.0 and 3.0 Phish eras, as well as the McConnell years of Widespread Panic and the break the band took in 2004-2005. A remarkable gesture by the band – free tickets given to Widespread tour regulars for the final show before hiatus on 12/31/03 in Atlanta, is shared and shows a generous nature of the Panic community. With both bands on break for a few years, life off of tour during that time showed many growing up; those young kids who met at Oswego and fell in love over Phish, they grew up too.

              New Years Eve 2009 in Denver saw once fractured and divided relationships that were strong enough to withstand not seeing someone for years at a time, showing that capturing the same feeling that you get from Phish shows is attainable from Widespread shows (yes, it’s true). What has been brought together again is broken prior summer 2009 when Phish reunited and the characters find themselves back with each other, bringing life full circle with Phish playing the soundtrack to this new chapter of their lives. Finding meaning in every song as it is played, the reuniting of friends and a band, and growing up at Red Rocks in 2009, the main character, Melody, finds what she has been looking for. Ten years removed from Phish and seven years since her last tour, she finds what she has been looking for with a little help from her friends and Phish. Although some may not agree with the lifestyles and choices that the characters make in the book, they are well developed and taken from real life, easily identifiable to any number of fans. Melody is an amalgamation of girls and friends I have known on tour over the past decade or more. This is a must read for any phan who has spent any amount of time on tour or amongst the Phish and Widespread Panic communities.

              Finding meaning in phish again, meaning in life, identifying with lyrics in ways they never had before, this is what Phish does to and for the 30-something crowd looking for answers to the next step of their lives. Reading the book was painful at times, only in the sense that Carl’s words were eerily reminiscent of what had transpired in my life and that of many friends Phish returned two years ago. Cole captures the scene perfectly, saying “Since the dawn of civilization there have been traveling gypsies making a circuit through the sedentary people. As usual, those stable people were baffled, excited, and a little scared by the nomads who roamed the countryside.”  

            This book is PhanArt Recommended, PhanArt Approved. It is a great read and a fantastic story.

             Carl Cole has spent the last 15 years sporadically and spontaneously involved in the tour scene of Phish and Widespread Panic. He sometimes made a living quasi-legally vending food in the parking lots. He was also a protege’ of Daniel Quinn, bestselling author of Ishmael, publishing a weekly column on Ishmael.com. Carl first saw Phish and Widespread Panic in the spring of 1997, having  seen well over 100 Panic concerts, 50 Phish shows, and lived countless other musical adventures.

Buy The Melody of Motion: Following Phish and Widespread Panic as a Hardcover, Paperback or E-book at lulu.com

Ocean Shirts For Japan from Jiggs

From the Charitable mind of Jiggs comes A Song I Heard the Ocean Sing (ASIHTOS )shirts to benefit the Japanese people through The Red Cross.

I have had this design for quite some time. I have been tweaking it and changing it for about 2 years, trying to get it the way I like it. Originally I had planned on doing it over the summer (2011) in hopes the song would become more of a staple, but it’s not that well known of a beer brand. Considering what happened in Japan, I thought it would be a good thing to do a run of this design specifically to benefit relief efforts there.

I will account for all shirt costs to produce these, then donate the rest to (at this point) the American Red Cross. In the rare event that donations exceed costs for the relief efforts there, some funds would be redistributed to domestic issues (per the Red Cross website). I am open to changing the destination of the funds if someone can provide me with good information on where else to donate.

The shirt color is chestnut to represent the bottle color. Chocolate will be used for the long sleeves and hoodies. The print is white, red, and black and features the kanji symbol meaning ‘ocean’ or ‘sea’. The image will be roughly 7 inches across the front. The design is based off of the Asahi beer brand (which, I am told, is the most popular beer in Japan), and features the acronym for the song in the main text. As well as a hopeful message of “Shining Light in Darkness Deep” where the brewery information would normally be. For shorts sleeves, I will be using Gildan 100% cotton shirts, long sleeves will be my standard Gildan 2000. The only difference is the ladies shirts will be style 64000L. The hoody is style 18500 (7.5 oz.). This is a pre-order only. Pre-order will be open until March 20th. No more orders will be accepted after that point. No Special Orders. I am expecting about a 10 day turn around from the time that the pre-order closes.

Click here to order the shirts

Men’s shirts are $15 for S, M, L, XL, $17 for XXL, $18 for XXXL

Long sleeve shirts are $20 for S, M, L, XL, $22 for XXL and XXXL

Women’s shirts are $16 for S, M, L, XL, $17.50 for XXL and $18.50 for XXXL

Hoodys are $35 for S, M, L, XL, $37 for XXL and XXXL