Great thanks and appreciation goes to the following artists who were featured on PhanArt over May, June and July! With these donations, PhanArt and Friends has raised more than $2,000 for the 2013 calendar year and over $11,000 since August 2009 for The Mockingbird Foundation. Great thanks goes to the dozens of artists and supportive patrons who made this possible. Through their incredible generosity and spreading their art on PhanArt, these donations to The Mockingbird Foundation will help to promote music education throughout the country.
Of note this summer were the Summer in Saratoga: A Rock Art Exhibition show that brought in $467.30 for The Mockingbird Foundation, and the day long sale of “My Other Vehicle is a Second Set Tweezer” stickers, commemorating the Tahoe Tweezer, netting $264.72. This is reflected in the total of donations at the bottom of the page. Credit goes out to the following artists featured on PhanArt this summer:
Justin Braet and a friend made this Light/Lipton lot sticker. “Growing brighter now” is a very symbolic lyric in reference to the band and the song itself. The song has come such a long way and has produced some very amazing jams. Shouldn’t we all purify our souls with some Light?
These stickers sell 1 for $3, 2 for $5, 5 for $10, and Justin will donate a dollar of each transaction to The Mockingbird Foundation.
These Fish Man hand printed screen prints are 15″x 20″, printed on 100% cotton canson edition with on deckled edge. It is water based ink and four colors. This print is an edition of 100 and there are about 20 left. The print is $35 and includes shipping.
Nick Doyle is an artist based out of Boulder, Colorado. A mostly self-taught artist and screen printer, he has been producing T-shirts since about 2005 and posters since the end of 2009. You can keep up with his current work here!
From John Stimberis comes a Backcountry Skiing (Dynafit) inspired Ocelot T-shirt. This green shirt has the black logo with Ocelot on the front and comes in sizes M-XL. Cost is $15 including shipping.
Featuring a “Theme” theme, this poster will be sized at 11 x 17, a bit larger than his 2012 poster efforts. The image will be screen printed on a Myrtle Blueberry paper (Flavours Gourmet) using Iridescent Silver (Fine) by Golden Acrylics, White, Yellow, and Sea-foam Green. Everything that appears as grey in the graphic will be printed with Metallic Silver. He is really looking forward to seeing how this turns out. Most likely there will be some variants available, but I am keeping those details under wraps for the time being.
In order to help offset the cost of this run, Jiggs is opening these up for a pre-order period. There will be 30 of these available for pre-order at $20 shipped. They will be $20 even in the lot. The pre-order will stay open until ink hits paper, or until the 30 slots fill up, whichever comes first. You should receive your poster before Hampton, so you won’t even have to worry about carrying it around. After this period, you won’t be able to get them online until after Fall Tour. This run will be capped at 100, so grab one while you can! This is also your chance to select a poster number before anyone else does. Scroll down to order yours! Posters ship in a 3 inch tube, wrapped in craft paper with delivery confirmation.
These stickers, made by John Stimberis (Stimbuck) reflect on the ever-present Marathon stickers that say 13.1, 26.2, etc… depending on how much distance running you fancy. Phish fans might like to run, but we do prefer a nice long ‘Run Like an Antelope’ as well. So this sticker is tongue-in-cheek towards runners out there, in a way only phans can understand.
To purchase this sticker, follow these steps:
Step 1) Go to mbird.org
Step 2) Donate at least $5
Step 3) Send your receipt, along with your name and mailing address to stimbuck (at) gmail.com
Step 4) Receive one decal for every $5 donated
“Buzz In The Honeycomb” is Isadora Bullock’s 3 color linocut print (one of the layers is a hand rolled 3 color fade), measures 15″ x 21.5″ in a limited edition of 150 for the Phish shows in Commerce City, CO at Dicks. The lights in his eyes are the new light rig for 2013. Buy now for $35 plus shipping.
Watch a process video of Isadora making her poster
Phish tour in July meant that I could plan to see a bunch of shows without fear of missing school or having to rush home after a show to be up in time for students. This summer was filled with incredible music, great times, good traveling from show to show and meeting new friends and experiences along the way. Here’s my recap of Phish tour from Alpharetta through Toronto and back home again.
Monday I got on the road around 11am, later than I planned but with more than enough time to spare. I was heading from Columbia to Sumter, SC to see my Aunt and Uncle and cousins. The drive was decent, I saw a couple fans along the way, a couple with Phish license plates, watched for cops through Virginia and flew through North Carolina. A nice southern meal and beers with my cousins somehow led to talking about guns and the Second Amendment. There were more beers and then a few rifles were brought out for some reason, but more for show, less for late night hunting. Who knew guns and beer mixed so easily? Then I was asked to explain how I afforded tour and I showed them the contents of the box in the trunk full of PHeanuts shirts and others I was selling this summer and they didn’t get it. Explaining the music of Phish is easier than explaining how a shirt like this is something people buy.
(Note: I am also noticing, as I get into Part 3 of this recap, that the more shows I go to, the more I have to write. Hence, Dick’s is three days away and I’m still writing this.)
Leaving the next day to drive to ATL meant a newish highway to drive on, which is sort of exciting when you’ve driven most of the eastern half of the country. I got into the loop around Atlanta, was going one way, then backtracked when the trip for a Lot A pass was unnecessary. I drove to meet Bud and Jessica at a new brewery about 20 minutes from Alpharetta. We had a beer and then drove to pick up cold ones, and drive to Lot A. It was nearly 2:30, and some folks were inside, maybe a dozen, setting up on Shakedown. A half dozen cars were waiting to get in and weren’t about to be turned away. The cops finally agreed to let us in, but restricted further traffic a little until about 5pm. This led to more than enough time to set up on Shakedown, right across from Noah and Jiggs and next to Mike Boyer, with prime location taboot. I worked off a bag of wine while catching up with tons of southern friends, and more than a few who used the Syracuse (not Clemson or UT) flag as a meetup spot on lot. I have to say, the crowd was top notch and these were some of the finest lots I have been in for vending. Even the cops were polite and cool in dealing with us, being patient and not hassling us throughout the two days there. This was a welcome relief, and realistically, the last lots with vending until Fall for eastcoasters.
The show that night I felt was better than the next night, for the “Pebbles and Marbles”, but that second set with “Heartbreaker” was a lot of fun, as was the jam into Makisupa, seen below. The “Chalkdust” had a little something extra in it, and Tweezer > Silent in the Morning was nice. A strong encore of ADITL and Tweeprise led to the lot scene erupting over, selling a few TRiPP posters and picking up some short runs local fans made just for these shows.
I could have gone with latenight Waffle House, but waited till the morning to get hash browns scattered, smothered, covered, chunked, peppered and countried (sausage gravy). A needed oil change and we were on the road up to the venue, but alas, not in time for the now-strict 2:30 arrival time. We missed out by just a little bit, so we went down into the urban sprawl and found some beers and food at Five Seasons before heading back to wait in line to get in. Driving around to get back to the lot made me wonder whose bright idea it was to put a music venue in the middle of the burbs, then give it 10 entrances, all in separate areas and restricted by ticket? We were lucky, but it seemed like a poor decision, either for the venue to go there or the sprawl to engulf it so. Still, back on lot at 5pm was good for me and even with a little sprinkle of rain, still had a great day on lot, catching up with Lucas, Holly, Alex, Tyler, Cait and so many southern #twibe folks, my EZ-Up became a default meetup spot.
Pete, Lucas and Doug
After rocking through a bag of delicious wine (judge me) we packed up and headed in, just missing the rain and ducked into the floor, which was quite spacious and I have to say – what a fucking venue! I loved Alpharetta’s layout, sightlines and sound, it was perfect. Those parking lots were lacking but made up for it with fans. Tonight was a little more rudimentary, “Frost” was new but also should be a TAB song IMHO; “Divided Sky” was nice to finally hear this tour, but the “Drowned>Water in the Sky>Energy” gave some potential that paid off with a really fun Fluffhead, and a Mike’s Groove with a Wedge in the middle. Walking out into the rain sucked, especially when it was coming down and not letting up. Lots were basically closed and there were few if any vendors. I stayed as dry as I could and dealt with the rain, driving back to Sarah’s place with Bud and Jessica to get some sleep after two fun as hell days. I don’t know how I missed shows here before, but it won’t happen again.
Thursday was a travel day, and a long one at that. I planned to be on the road by 11am, but that didn’t happen. Waffle House did, as did a search for the sweet Southern nectar of Sweetwater 420, Blue and IPA. I think I ended up getting on I-75 at 2pm, but made great time through Tennessee, then to Kentucky where I sailed on a road with hardly any other cars – kinda creepy. Indiana was no better, with some dude trying to sell me get me to buy him gas for his crotch rocket (I declined), then drove a few miles before stopping to vacuum out the entire car – great advice from a friend, based on learning that I was driving into Canada for the Toronto show. It was 20 minutes well spent to have no unexpected headaches later on.
Indiana has wind farms that stretch for miles in all directions. Pretty impressive, but best seen at night when the red lights at the top blink in unison, like Close Encounters of the Third Kind, but smaller and less Dreyfussy. I made it to Chicago around 1am CST, making it a 12 hour trip by any standard. Parking was difficult in Lakeview East (but really, Boys Town/Wrigleyville) where Barry lived. I parked six blocks away and lugged my stuff in for the night, sleeping like a rock until noon, when I had to arrange for the lots, drunk bus and whatever else I would need for the show. The bus was cool, with free PBR, but we weren’t allowed to park where the venue said we could – in the parking lot, so that put a snag in the plans and we were dropped off at the venue, but had to walk to get the bus at least 10 blocks away. I could handle that later, even though it sounded like it would suck.
Then the show and storm happened. I wasn’t thrilled about the bus, and the lawn wasn’t exactly a lawn – we couldn’t see the band from where we were, but yes, big screens. The announcement was disappointing and I’ve said my peace with it, but I still think they could have had better foresight, skipped setbreak, gone on earlier, something. The venue being in the middle of nowhere doesn’t help for other emergencies, real ones at that. So that happened, I ended up cabbing it home and tried to fathom all that happened with the show cancellation. Meanwhile, Pearl Jam continuing to play 6 blocks north of where I was staying was tempting, but it would just be salt in a wound. Sleep would bring me closer to some degree of acceptance of the show being cancelled.
I was still bothered by it the next day, but had to get my phone repaired and got taken care of by Kaylin at VW, bailing me out when I had no other recourse. I returned to Barry’s and headed down to Erika’s hotel, simply because I needed to be closer to the venue and wanted to see the city a little more. I lucked out staying on the Magnificent Mile and despite the cabs being impossible to get, it was much faster to get to the venue than by bus. The three sets intrigued me, as I hadn’t seen a show like that, outside of NYE, since Coventry, and those sets weren’t the best to reflect upon. We camped out a little closer on the lawn and had a better night than the last: “Golden Age > Waves > Piper” FTW! I fell asleep instantly when I got back to the hotel, after wandering around and getting a coveted Boba Fett Phish poster (thanks Nicole!)
Waking up at the hotel, I took a dip in the rooftop pool, which was full of a wedding party who were pissy at everyone who didn’t stay at the Crown. I found a nice restaurant for Erika and I to hit off Bandera for delicious sandwiches, peanut cole slaw and home made Oreos with ice cream in a pool of chocolate. Tonight’s show was going to be incredible because this meal was just that good. This time, I drove to the venue, since I had to leave right after to get on the road to Toronto. We paid $40 to park in the main lot and have access to whatever art/beer I had to get rid of, since Canada might have an issue with a ton of PBRs, which I sold at the #twibe get together for a buck (again, thanks Toombs!) but was still stuck with the cooler.
Cactus came to the Tweetup
These shows were better than the other two simply because the first set was full of ‘We owe you a great show to go out on’, but was again caught up by the rain, and this time – it actually fell when they pulled the plug! Having that orange rain suit is awesome, but I left the overalls in the car, so I scrambled to keep my phone/camera/flip dry, and ended up under a tarp for a spell since there was no refuge being on the floor, but we did have a great view of the lights from dead center/15 feet in front of Kuroda. Second set was off to a great start with “Energy > Ghost” and no one can complain about “Lizards”, but that “Harpua” was something – hilarious, well intentioned and well delivered. The Second City folks were an awesome bridging of the arts – musical and comedy – and got the stories going, whether they were well planned or if it had some deeper meaning, which I agree with.
The aborted “Antelope” returned and I headed out during “Zero” so I could get things packed up in the car, sell a few quick prints and get out of town. Alexandra, who is selling the Phish Shades on tour planned at some point in the past week to drive with me to Toronto, which was awesome since driving alone there would have been difficult, if not impossible. On the road at 1am and into E. Lansing Michigan for 5 hours of sleep at a cheap hotel were just what we needed, plus some Tim Horton’s because their coffee is delicious! It was only two hours to the Canada border, and we stopped for last chance gas and drinks, where we saw Steve and Katie, and carvanned into Canada. But not before listening to “Blurred Lines” a few times – I heard it for the first time after Chicago and yes Trey, get Phish to cover it!
Sunset complementing Kuroda
Or so we planned. We got to the gates at the Blue Water Bridge in Port Huron and after saying that yes, we were going to the Phish show, directed to go to the place where they dump your car out because Phish fans are always hiding something. This took 30 minutes or so, and the border guards were incredibly polite and chatty, letting us know exactly what was going on and were cool when they didn’t find anything. Others were stopped too, all with the same ‘Seriously? We’re not that dumb to bring anything into Canada.’ looks on their faces, just as I wore for 30 long minutes. We got back on the road after repacking the car (with border guard assistance!) and hightailed it to Toronto, making it there around 6 pm and the lots around 630 pm.
There are no lots in Canada. I saw no Shakedown, not even an EZ-Up. Some even balked at taking a FREE Surrender to the Flow! Still, I sold a few stickers to some Americans and Alex sold some sunglasses while we pounded beers before going in. “Undermind”, “Halleys > Twist” and the set closing “Suzy” were all solid, and we rocked out with dead center 400 level railing seats, which led to some pretty impressive photos. The $15 for a 750ml Molson Canadian was weird to see – that much for Canadian beer? Set 2 had a favorite segue of the summer for me: “DWD>2001>Free>Piper>Tweezer” – this was incredible and I had my sore legs to prove it. Canadians tried a glowstick war but it was too polite. “Bowie” was good too (but I felt the show coulda used a YEM to end it instead of Bowie) plus as triple encore, with a nod to the new Prince, something I told Alexandra might happen and she will totally back me up on that. Seeing the CN Tower through the windows of the Amphitheater was pretty damn cool and the Toronto skyline, apartment buildings aside, looked great through the side of the stage.
Post show, I lost track of Alexandra on the way out, then casually lingered around the lots handing out the last STTFs before driving to BB’s in Buffalo, which was miraculously only 90 minutes away. I got some sleep, woke up the next day and drove to Albany, stopping in Baldwinsville to meet up with Herby, the publisher of UpstateLIVE to talk about the magazine and pick up some issues for my future travels.
So, thats 14 Phish shows in 20 days, a helluva way to spend a July. I had three festivals back to back to back – Gathering of the Vibes, Backwoods Pondfest and The Big Up that followed, making for the day between, July 24th, my one day of respite before it started all over again. Live music can be incredibly addictive yet well worth it, especially when it’s The Phish from Vermont.
This four color triptych features an original design by TRiPP. The sky is filled with a three color fade signifying the change from summer into fall and day into night. Available only as a three piece, you will receive a matching numbered set. This is an edition of 200, signed and numbered by the artist.
If you order before Noon MST on Friday, August 30th, will receive FREE SHIPPING! Order here
Phish tour in July meant that I could plan to see a bunch of shows without fear of missing school or having to rush home after a show to be up in time for students. This summer was filled with incredible music, great times, good traveling from show to show and meeting new friends and experiences along the way. Here’s my recap of Phish tour from Holmdel through Merriweather.
It turns out I could have done some more work on Monday, because I was up until 4am Wednesday packing, editing, writing, even vacuuming before I left. I didn’t get on the road until 3pm, which wasn’t good because New Jersey rush hour is just the worst. I got to the Garden State Parkway around 5pm and sailed to the exit, bypassed it, tried to cut in and was met by the cop parked right there. Gotta admit, good spot if you’re low on that ‘illegal lane change’ ticket quote. Still, I got in and parked within 100 feet of the entrance. I had only been here before for TAB in 2001, which you can read about here
I caught up with Tim and Shaun and Bryan and others, sold a few shirts and went inside. First set was nothing crazy special, although I do enjoy a nice ‘Theme’, but second set contains my vote for 2nd best jam of the summer (after Tahoe Tweezer) – Crosseyed > Hood was incredible for a great 30 minutes of deep jamming and a blissful 4 minutes in the last section of Hood. This second set was the heat and steamy inside, and showed that the band was on track to play better and better each night, which they did for the most part of the summer. It helped I was down low (thanks Tim) and got to see the spaceship aspect of the venue, very underrated in my opinion. I found my way to the Shakedown in Lot 3 that was quite a hike down and up hill, where I caught up with some artists and sold some shirts before taking an easy drive to Shaun’s.
In the morning, I left with Satoshi and Yasunobu to head out to Yankee Stadium, meeting up with Jason and Jules to see the Royals at 1. Bonus – great seats in right field only a half dozen rows back and Ichiro playing Centerfield. IPAs in hand, we brought two Japhans to their first American Baseball game and basked in the sun on a relaxing as hell day. Jeter came back, got a hit and run and promptly got hurt again; the Yanks came back to win 8-4, and Satoshi and I drove to Long Island, where we stayed the night before the Jones Beach show with Amy, taking it very easy and drinking Blue Points galore.
Friday was my last day to finish my SPAC review, and managed to get it done by noon and then get through all we had to take care of before getting to the lots. Yasu took care of his streaming stuff, Mark came over with his kid Henry, it was a crazy day and that was before picking up cases at Swiftway and some Italian next door. Looking at 5% chance of rain and nothing on the radar, things looked good for Jones Beach.
The PhanArt Board of Directors
Then we got there, 20-30 mph winds were a norm and this was going to be interesting. This is one of those times when being an Eagle Scout is awesome. We set up the EZ-Up, tied it down to the wheel of the car, put up the tarp and tied that down, and holding one arm of the EZ-Up in place, we had a shelter for a dozen people at a time. For two hours before a show, this was damn fine group work, getting a little comfort in before the show. And we needed it. That was the worst rain I have ever dealt with at a show, on par with Bonnaroo 2004 and SummerCamp this past year. First set was fun though, I was so pumped up because I have this full body orange rainsuit, and I stay pretty dry in it. They are the best. Yet I got wet because gale force winds and driving rain that seemed to blow upward. Set break Sue, Bryan, Jada, Toombs and I took refuge outside the tunnels, and then, the rain stopped, and the second set began with a reward for toughing it through the rain – “Rock n Roll > 2001 > Tweezer”, all of them just driving the energy in the venue higher. The jam into “Cities was greeted as all Second Set Cities™ should be – with freaking out, and again into “The Wedge”. Even Velvet Sea and Zero were good, and now that I was drying off, the night was looking better and better, even though the rain was manageable, to an extent.
Post show, I took my sweet time getting dry and ready for a drive straight to the hotel in Columbia, because it was going to rain on and off and taxing. Satoshi and Yasunobu drove with me, but they stopped for a bit in Jersey. I had to get to a bed before I slept and didn’t want to miss going to the venue at a reasonable hour. I got to the Comfort Suites, a pretty nice new chain, for me, and checked in as soon as I could. The drive down was great, the destination even better.
Lunch was a crawfish boil at Noah’s place, with all the fixins and some incredible spice to the crawfish. It was on the way to the venue and Julie and Lesley were both there, a pleasant surprise for all. Crawfish were tasty, but have so little meat on them compared to other seafood I eat. It was damn tasty nonetheless and a culinary bucketlist item to cross off. We managed to get to the lots around 6, ending up in not the good big Lot, which was chill and brought out the Baynes, Charlie, Herschel and Mike Lawrence, who is shooting a 30th anniversary fan film, look for him at Dick’s and on Fall Tour!
There wasn’t much to write home about with MPP night 1, except that I was really glad I was in the pavilion, that rain during the end of Set 1 looked rough, and with the odd slope of the lawn, fuck that. Actually Taste, Maze and Melt were all good in the first set, as was the Hood, but the heat came the next night. Post show, the cops were happy to rush us out the door and back to our hotels, which had a wide array of late night revelers, some spunions, dudes drinking good beer, tweakers and girls drinking good beer. I met some dudes from Texas I think. It was a late night.
The next day, I was patient for the opportunity to go to a Gastropub for the first time, Victoria’s in Columbia, based on Tim’s recommendation and reminders of ‘duck fat fries’. I ended up with Eggs Benedict, but with prosciutto and crab meat, on a biscuit, with citrus hollandaise sauce. Quite possibly the meal of the tour. We got to the main lot early and got a prime spot – maybe 5 car lengths from the RV the cops were using for surveillance. I put up the Syracuse flag, as I do at most shows, and this year I didn’t get any grief for it. We ended up with a nice lot spread, met some new artists and chilled with everyone who was done with tour and not heading south. In fact, I wouldn’t see some of these folks until Dicks, or even Fall Tour. The first 8 shows there was a good crew of folks, from Twitter and just over the years hanging together. That was cool.
The day was humid as fuck, so inside the circus tent of MPP, it wasn’t going to be any better. The show started out nicely with First Tube and had that pretty awesome debut of the Marimba Lumina in Mule, and as always, a Tube so short you couldn’t take a piss during it. Set 2 with Golden Age > Twist was a perfect combo of songs to get things going, but Light > Boogie Man was where I ended up getting down, all leading up to YEM. Plus a good amount of the Chicago crew I would see in a couple days was there, plus a pair who drove down from Camp Bisco, which ended at dawn that day. There has to be an award for that, driving from a festival you worked at for four days, then to a Phish show. Well done Clownshoes!
Post show, I milked every second out of the lots, because shirts needed to be sold before the unpredictable Alpharetta lots. Back at the hotel, Satoshi and Yasunobu were leaving at 4am to drop off the rental car and fly home (Satoshi) and to Atlanta (Yasunobu). By the time I passed out, I had a big smile on my face, as now my tour was more than half over and it had already been an awesome adventure so far.